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Bird
Nagasawa Rosetsu / Sparrows on a rock with Peonies
This is an excellent piece by Rosetsu that is full of things to see.
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Nagai Naotane / Crested myna
Crested myna is a bird that has long been a subject of painting in China. It is known for being very friendly to humans and for imitating human speech. The mounting of this work is one of the finest of its kind at the time.
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Omura Taiun / Rice plants and a Sparrow
A song of a sparrow chirping beside the drooping ears of rice. It seems that people and sparrows alike are in the same spirit of welcoming the harvest season.
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Sano Kosui / Small bird with plum blossoms
A bluebird intently pecks at plum blossoms swaying in the early spring breeze. This flower-and-bird painting evokes a sense of freshness.
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Okamoto Toyohiko / 3 Hanging scrolls (Turtle and plum tree, Old Man of the South Pole, Crane and bamboo)
This is a triptych pair of a crane and turtle, symbols of longevity, and old man of the south pole. They were also used in prayers for longevity.
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Nishimura Goun / Millet quail
A quail takes flight from a millet field nearing harvest. The contrast between the bold brushstrokes of the millet and the detailed drawing of the quail is striking.
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Kawabata Gyokusho / Departing wild geese and arriving swallows
The wild geese leave for the north, replacing the swallows that arrive in Japan. This is a scene that symbolizes spring.
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Matsumura Keibun / Two pigeons under a weeping cherry tree
Two pigeons pecking at food under weeping cherry trees. This work evokes the warm sunlight of spring.
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Ike Taiga / Sparrow and bamboo
This is a sparrow painting by Ike Taiga, a literati painter of the mid-Edo period. The sparrow, which is believed to ward off evil and bring good fortune and luck, is depicted together with a bamboo, which symbolizes honesty because it stretches straight upward.
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Nakabayashi Chikuto / Little bird on a branch
A small bird perched on a loose branch. This work shows the artist's unwavering brushwork and impressive artistic ability. Painted by Chikuto at the age of 73.
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